Solo darkroom work. Aglio e olio at 1am when the studio is empty and the safelights are the only illumination. Six ingredients, one pan, total control over exposure.
This is what you cook when you've been in the darkroom too long and forgot to eat. It's 1am. The red safelight is the only illumination. Your hands smell like fixer. You need food, but you also need simplicity. Aglio e olio is the answer: garlic, oil, chilli, pasta. Nothing more. It's a contact print — direct transfer, no enlargement, no manipulation.
The trick is the garlic. You want it to release flavour into the oil without burning. Low heat, constant attention. Same principle as dodging and burning in the darkroom — you're controlling exposure in real time. Too much heat and the garlic goes bitter, the image is ruined. Just right and it turns sweet, nutty, golden. The chilli adds contrast. The pasta water emulsifies the oil into a sauce. It's chemistry.
You eat it standing at the bench, straight from the pan. It's fuel. It's also one of the best things you'll taste all week, because hunger is the best seasoning and solitude sharpens flavour. The darkroom teaches you to work alone. Midnight pasta is the same discipline: self-reliance, precision, no room for error.